Advances in Humanities Research
Vol. 3, 20 November 2023
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Compositionality in Pablo Picasso’s Poetry
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Abstract
Pablo Picasso’s poetry expands the expressive power of language through syntactic mechanisms provided in natural grammar. His poems often consist of adjunct phrases, following a technique that recalls his cubist collages. The relation between the nuclei of those phrasal constituents as they come in contact remains open, so that readers are free to establish multidirectional semantic associations between them. His poetry is primarily word-oriented. As Picasso once stated, he wanted to compose his poems with “a palette of words,” leaving those words free “to fight it out among themselves” to attain any possible meaning. Such a combinatorial approach to language could be interpreted from the perspective of “linear grammars” as proposed by Culicover and Jackendoff, Jackendoff and Wittenberg and Culicover.
Keywords
parataxis, adjuncts, apposition, compositionality
References
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- Volume Title
- ISBN (Print)
- ISBN (Online)
- Published Date
- 20 November 2023
- Series
- Advances in Humanities Research
- ISSN (Print)
- 2753-7080
- ISSN (Online)
- 2753-7099
- DOI
- 10.54254/2753-7080/3/2023015
- Copyright
- 20 November 2023
- Open Access
- This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited